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12211 Immagini
Mostre, opere, referenze, prodotti e film — in immagini, attraverso tutti gli ambiti.
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Documenti The Decorative Paradox Is this art or decoration?
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Mostre · 2024 Tyde
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Prodotti Impact4Shape Generative shapes
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Referenze 10 Years of NOTIONCUBE
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Opere · 2025 TRIANGLES CONNECTED IN OPEN FIELD
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Videos · 2024 Tyde
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Videos · 2025 Kunstverein Duisburg Behind the scenes
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Mostre · 2025 Kunstverein Duisburg Open Studio
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Videos To ask is already to have lost Am I an artist
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Documenti Decoration Is Not Avant-Garde The greatest illusion in art discourse
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Prodotti Impact4Sculpt
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Prodotti IMPACT4IMMERSIVE RUNTIME Immersive art installations
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Referenze Innovation in the home town
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Opere · 2024 IKARUS
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Videos · 2024 Hattingen Old Town Festival
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Videos · 2025 POST'S LOTTENTAL - IMMERSIVE ART
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Mostre · 2025 Artothek Oberhausen Ludwiggalerie Schloss Oberhausen
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Videos THE HOLY GRAIL OF CHOOSING TECHNOLOGY
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Documenti The Mislabelling but the entire social staging of being an artist
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Mostre · 2024 LWL Museum Henrichshütte
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Prodotti Impact4Publish Curatorial publishing
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Referenze Formerly NOTIONCUBE Software GmbH
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Opere · 2025 SQUARE, TRIANGLES CONNECTED
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Videos · 2025 POST'S LOTTENTAL - IMMERSIVE ART
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Videos Studio Show 002 A small show of works
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Mostre · 2025 Music Festival HOME IS A VOICE
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Videos Representational vs Non-representational
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Documenti From Post-War Society to AI Society How human competence is shifting
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Prodotti Impact4Exhibition
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Prodotti Impact4Sculpt 3D sculpture generator
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Referenze IT Business, several times
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Opere · 2025 BORDERLESS
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Videos · 2026 Museum Wendener Hütte — Mill Day
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Videos · 2024 Tyde
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Mostre · 2025 Kulturkirche Heilig Kreuz DORNENSTAUB
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Videos BUYING A DEVELOPER SIGHT UNSEEN
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Documenti Tobias Post — the story behind the art Combining art and technology is my superpower for immersive art
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Mostre · 2024 Art Visits Church
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Prodotti Impact4ArtCore The core of the artwork
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Referenze CeBIT in Hanover
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Opere · 2025 FRAGMENTUM
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Videos · 2024 Halle 205
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Videos · 2024 Projektspeicher
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Mostre · 2025 Künstlerhaus Dortmund DORNENSTAUB
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Videos Representation as a Justification for Art